The Darkness of Faery

Do you ever marvel at how dark fairy stories are? The original Grimm’s tales have been sweetened and sanitised in their modern versions for Disney picture books. In Cinderella, the ugly sisters chop off their own toes to fit into the glass slipper. In Snow White, the huntsman brings a deer liver to the wicked Queen in a golden chest and the woman eats it, believing it to be the girl’s. When Snow White marries Prince Charming, the wicked Queen is invited to the wedding where she is punnished by having to wear iron-hot shoes and dance untils she drops dead.

Is it better to have children’s stories without witches and wizards, goblins, dragons, devils, monsters or ghosts? Should children face death, abandonment, exile, slavery or worse ?  G K Chesterton gives the best explanation of how to view darkness in fairy stories:

Fairy tales then, are not responsible for producing in children fear or any of the shapes of fear; fairy tales do not give the child the idea of the evil or the ugly; that is in the child already, because it is in the world already. Fairy tales do not give the child his first idea of bogey. What fairy tales give the child is his first clear idea of the possible defeat of bogey. The baby has known the dragon intimately ever since he had an imagination. What the fairy tale provides for him is a St. George to kill the dragon. Exactly what the fairy tale does is this: it accustoms him for a series of clear pictures to the idea that these limitless terrors had a limit, that these shapeless enemies have enemies in the knights of God, that there is something in the universe more mystical than darkness, and stronger than strong fear.  

GK Chesterton, Tremendous Trifles (1909), XVII: “The Red Angel”

gk chesterton

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