Jennifer from Bear Skin, this week week has been fortunate enough to have had some time travelling around the South Island of New Zealand with her best mate Tamlyn. As a Tokein fan, this trip is exciting beyond words.
Mountains, snow, white water rivers, gorges, mysterious forrests, wide plains – New Zealand has it all.
I fully recommend any lover of literature and story to travel to the scenes of stories they love and re-imagine it all again.
This blog often rests on questions of the power of story and how story is architected. A few posts have dwelt on the role of the protagonist as avatar of our dreams and the power of stories to assist in deep self undersanding. Stories have a way of walking us through crisis to catharsis in a way that is restorative to our soul.
A narrative pattern that underpins many great stories has been identified by anthropologist and literary historians as The Hero’s Journey. Articulated best the American scholar Joseph Campbell in his work, Hero with 1000 Faces, the Hero Journey can be identified within most great drama, storytelling, myth, religious ritual, and psychological development.
It describes the typical adventure of the archetype known as The Hero, the person who goes out and achieves great deeds on behalf of the group, tribe, or civilization. By following The Hero, the avatar, the individual lives, dies and is redeemed to the tribe, a new person.
Its stages are:
THE ORDINARY WORLD. The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma. The hero is shown against a background of environment, heredity, and personal history. Some kind of polarity in the hero’s life is pulling in different directions and causing stress.
THE CALL TO ADVENTURE. Something shakes up the situation, either from external pressures or from something rising up from deep within, so the hero must face the beginnings of change.
REFUSAL OF THE CALL. The hero feels the fear of the unknown and tries to turn away from the adventure, however briefly. Alternately, another character may express the uncertainty and danger ahead.
MEETING WITH THE MENTOR. The hero comes across a seasoned traveler of the worlds who gives him or her training, equipment, or advice that will help on the journey. Or the hero reaches within to a source of courage and wisdom.
CROSSING THE THRESHOLD. At the end of Act One, the hero commits to leaving the Ordinary World and entering a new region or condition with unfamiliar rules and values.
TESTS, ALLIES AND ENEMIES. The hero is tested and sorts out allegiances in the Special World.
APPROACH. The hero and newfound allies prepare for the major challenge in the Special world.
THE ORDEAL. Near the middle of the story, the hero enters a central space in the Special World and confronts death or faces his or her greatest fear. Out of the moment of death comes a new life.
THE REWARD. The hero takes possession of the treasure won by facing death. There may be celebration, but there is also danger of losing the treasure again.
THE ROAD BACK. About three-fourths of the way through the story, the hero is driven to complete the adventure, leaving the Special World to be sure the treasure is brought home. Often a chase scene signals the urgency and danger of the mission.
THE RESURRECTION. At the climax, the hero is severely tested once more on the threshold of home. He or she is purified by a last sacrifice, another moment of death and rebirth, but on a higher and more complete level. By the hero’s action, the polarities that were in conflict at the beginning are finally resolved.
RETURN WITH THE ELIXIR. The hero returns home or continues the journey, bearing some element of the treasure that has the power to transform the world as the hero has been transformed.
So when questioned why you enjoy story so much or whether reading is wasting your time, simply reply that you are working on your emotional, psychological, spiritual, social and even physical health.